ESSAY // BONE TREE CRITIQUE: LARRY FINK AND ZEV JONAS
An essay by Bill Lowenburg. At first glance, the photographs of Australian-born Zev Jonas seem to have little in common with the work of his friend and mentor, the distinguished American photographer Larry Fink. Jonas works in primarily color, Fink in black and white. Jonas utilizes available light, and while Fink does too, his best-known work has been produced with off-camera flash. As a result of his landmark 1980 book, [...]